Forgetting Sarah Marshall

I finally saw Forgetting Sarah Marshall this weekend! I have been wanting to see it very much since it opened a week before ROFLCon, and I finally convinced a co-worker to go see it with me (actually he was just out of town for a while he wanted to see it of his own accord). I must say that is was supremely well written, and hilarious. Its like a Will Farrel movie if it was well written and didn’t rely on being idiotically stupid for laughs.

It was written by Jason Segel, who plays Marshall on easily one of my top 2 tv shows, How I Met Your Mother. (The other one being Lost). Every time I see the title I can’t help but think that he chose for the title to include the name of his HIMYM character on purpose to exploit the obvious synergies. There were a lot of great lines in the movie, similar to the kind of amazing lines that Ted delivers on HIMYM. It made me think that Jason Segel must also have a writing credit on the tv show, but (I just checked and) according to IMDB he does not. Maybe they do a lot of ad libbing on the show, or he stole a lot of ideas from the writers on the show, cause they seemed similar.

The movie also features Mila Kunis, of That ’70s Show fame, who was excellent, as all the reviewers said she would be. It’s good to see her acting again and not, as the voice of Meg on Family Guy, getting marginalized. That show, by the way, is so bad now. It has been on a steady decline since episode 2, and now its on episode 110! The real surprise to me was that Kenneth from 30 Rock (Jack McBrayer) essentially reprised his tv show roll in the movie. It’s such a good character that it never hurts to see more of him.

I have some praise for the plot as well. At one point, I was unable to decide which of two directions the movie would go. I was also unable to decide which direction I wanted it to go. This is a common problem with romantic comedies. It becomes easy to pick sides, and then the movie will either do what you want or not. If it does what you want you call it predictable, and if it doesn’t then you call it bad — a damned if you do damned if you don’t situation. Forgetting Sarah Marshall avoids that completely by creating two, round (in the literary sense) and compelling choices. If you’re looking for something less exciting and more funny than Iron Man, go see this one!

Comments are closed.