{"id":905,"date":"2009-02-23T20:09:15","date_gmt":"2009-02-24T01:09:15","guid":{"rendered":"http:\/\/72.233.35.22\/?p=905"},"modified":"2009-03-30T23:10:17","modified_gmt":"2009-03-31T04:10:17","slug":"boston-symphony-orchestra","status":"publish","type":"post","link":"http:\/\/liryon.net\/?p=905","title":{"rendered":"Boston Symphony Orchestra"},"content":{"rendered":"

About a week ago my room mate and I went to see the Boston Symphony Orchestra. The tickets were cheap thanks to the < 40 = $20 program<\/a>. That made it an excellent opportunity to check off <\/a>Symphony Hall<\/a> from my list of Boston landmarks to visit. I went as much for the architecture as for the music, but I forgot my camera. I did manage to take enough shots with my phone’s camera to string together this panorama, taken from my seat before the concert.<\/p>\n

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The music that night was Mozart’s 19th, 20th, 21st and 25th symphonies. Apparently, of those, only the 25th is commonly played. The 25th was also my least favorite. Of the others, a week later they all seem to run together. They were playing the more uncommon peicies because they were in the middle of a series of concerts in which they were playing all (or most) of Mozart in chronological order. I was glad that I didn’t goto one of the later on chronological shows, which include more like the 25th (so I’m told). My most interesting thought at the concert was how much it might suck to be a room mate of one of the performers, many of whom were young looking. Then I decided that the BSO could probably afford to provide practice space.<\/p>\n

I would go back under any of two conditions:<\/p>\n